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Jean (Alexis) Périer (2 February 1869 – 3 November 1954) was a French operatic baryton-martin and actor. Although he sang principally within the operetta repertoire, Périer did portray a number of opera roles; mostly within operas by Wolfgang Amadeus Mozart and Giacomo Puccini. His career was almost entirely centered in Paris and he had a long association with the Opéra-Comique. He sang in a large number of world premieres, most notably originating the role of Pelléas in Claude Debussy's ''Pelléas et Mélisande'' in 1902. In addition to his opera career, Périer appeared in several films between 1900 and 1938. ==Biography== Jean Périer was born in Paris, the son of Belgian parents. His father was an opera singer and repetiteur.〔 After initially working at the Credit Lyonnais,〔Gänzl K. ''The Encyclopedia of the Musical Theatre.'' Blackwell, Oxford, 1994.〕 he became a pupil of Émile-Alexandre Taskin (opéra comique) and Romain Bussine (singing) at the Paris Conservatoire, winning first prizes in both in 1892.〔Noel E & Stoullig E. ''Les Annales du Théâtre et de la Musique, 9eme edition, 1892.'' Bibliotheques Charpentier, Paris, 1893.〕 He made his debut as Monostatos in Mozart's ''The Magic Flute'' at the Opéra-Comique later that year on 16 December. He continued to perform at that opera house until 1920, with the exception of the years 1894 through 1900 when he principally sang at the Théâtre des Bouffes Parisiens and other Parisian theatres specializing in operetta.〔Harold Barnes: "Jean Périer", ''Grove Music Online'' ed. L. Macy (Accessed 30 January 2009), ((subscription access) )〕 Although he performed a great deal of operetta, he also sang a number of operatic roles including the title role in ''Don Giovanni'', Lescaut in ''Manon Lescaut'', and Scarpia in ''Tosca''. His career was almost entirely centred in Paris, particularly at the Opéra-Comique, where he notably created the role of Pelléas in Debussy's ''Pelléas et Mélisande''. He repeated the role of Pelléas at the Manhattan Opera Company in 1908 and at the Opéra de Monte-Carlo. He appeared in numerous other world premieres, most notably Ramiro in Ravel's ''L'heure espagnole'' (1911) and leading roles in Messager's ''Véronique'' (1898) and ''Fortunio'' (1907).〔 Périer's other roles at the Opéra-Comique included Clément Marot in ''La Basoche'', Juliano in ''Le domino noir'', Lindorf in ''Les contes d’Hoffmann'', Lescaut in ''Manon'', Ulysse in ''Télémaque'', Laerte in ''Mignon'', César in ''Les rendez-vous bourgeois'', Caoudal in ''Sapho'', Francois in ''Le Chemineau'', Crispin in ''Le légataire universel'' and Auguste in ''L'enfant roi''.〔Wolff S. ''Un demi-siècle d'Opéra-Comique (1900–1950).'' André Bonne, Paris, 1953.〕 Although described as a baritone, he created roles for Debussy and Ravel in the Baryton-Martin register. His was a declamatory art, and he created convincing characters with the help of his clear diction and his ability as an actor. In addition to his opera career, he acted in several films between 1900 and 1938.〔 His voice on one of the seven published recordings he made (Act 2 of ''Véronique'', 1904) is described as dry and husky.〔Cohen J. Sing high, sing low. ''Classic Record Collector'', Spring 2007; 48:24–28.〕 After retiring in 1938, Périer worked as an acting and singing teacher in Paris. He died in Neuilly-sur-Seine, Paris on 3 November 1954.〔 His brother was the French popular singer Camille Périer "Kam-Hill", 1856–1935.〔La Roque A. ''Acteurs & Actrices de Paris''. 33 Édition, 4 Serie. Paris, 1899.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Jean Périer」の詳細全文を読む スポンサード リンク
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